
From 13 April to 13 June, Sceners Gallery presents ‘Form and Temptation’, in collaboration with the Almine Rech Gallery, bringing together works by Allen Jones, Ruhlmann, Bugatti, Legrain, Moser and Dunand. The exhibition creates a dialogue between early 20th-century design and the pop aesthetic of the 1960s. It explores a pivotal moment when objects were no longer confined to their function or mere decorative role. Gradually, modernist designers began to conceive of objects as spaces of freedom, where form, materials and proportions took on as much importance as function.
In the 1960s, this trend became more radical with artists such as Allen Jones. Against a backdrop of cultural liberation, art opened up to the body, desire and popular culture. Objects became vehicles for projection, sometimes ambiguous or provocative, where body and artefact became indistinguishable. The exhibition thus brings together two dynamics: on the one hand, objects gradually freed from their function; on the other, works that question their utility from the moment of their conception. Between these two approaches, a space of tension is created where form becomes a terrain of expression, fiction and desire, transforming the way we perceive objects.
By appointment.
| Hours | 10:00 AM – 7:00 PM |
| Venue | Sceners Gallery |
| Type | Exhibition |
| Duration | 61 Days |
| City | Paris |
About
Sceners Gallery
Sceners gallery shares the dialogue and chemistry between creations and mediums, often started with a question or an idea. It is an open-ended harmony across the past, present, and future. Each creation possesses a unique narrative, reflecting the ingenuity, dedication, and passion of its creator. A pure path of a form or object, through conception to substance and perception later on. We admire old savoir-faire and cleverness, respectfully allied with contemporary knowledge. The gallery focuses on collectible design masterpieces, while showcasing the works of both established and emerging artists. Carefully curated by its founders, each piece holds a profound significance. Every aspect you perceive—sight, sound, touch, or sense—has been meticulously sought for. This process led us to deeper and more searching questions, new sources of knowledge; nothing has been left to the unknown. In order to transmit the memories objects here have, feel and think of something invisible but undoubtedly existing. Sceners gallery uses material as a medium to show you what immateriality is.
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